Corby's Orbit

Corby's Orbit
Listening in All the High Places illustration by John Kricfalusi

Sunday, July 18, 2010

Icing on Your Musical Heatcakes; Frosty Friday July 16



From the blast-off T-Bone Walker turbo-guitaristics of "Strolling with Bones", dedicated to Phil Weir, on through the cast of Discoveries at Hugh's Room July 27th (Rehan Dalal, Tucker Finn, Andre Bell, and sparky Stacy Burke), it was a show to dock on, ice up and replenish your audio oxygen. Guest Bruno Capinan spoke intensely about the Brazilian influences (Tropicalia, bossa, electronica) upon his new cd Gozo, and a tribute to the immortal Sugar Minott left ears awash in the scenery of deep rastamusical space. Brazillionaires Gal Costa, Suba, and Sambacana also wafted through the Orbit, and Polaris noms The Sadies led off a set of swamproasted Canadian roots: Jill Barber, Daniel Fred and Julie, and Kathryn Calder from her new disk Are You My Mother? (featuring Neko Case). Orchid Ensemble provided a restful silken pillow of Chinese chamber music in the epicentre of the circuitry, and we all splashed down feathery from the intangible air into beginning of the weekend's wild rumpus.

Never Too Hawt!

Sunday, July 4, 2010

Upper and Lower Canada

I missed doing my show last week because I had 5 days off between jobs, so up the St. Lawrence we went. In Montreal, the best band I saw was from Toronto: Rich Brown, Larnell Lewis, Robbie Botos, and Luis Deniz Rinsing The Algorithm to a big mellow crowd that produced rising waves of applause at every opportunity. Also mind-blending was Jose James, Chic Gamine, and Treasa Levasseur laying Lean On Me into a rowdy midafternoon pub with a silencing authority. On Friday,it was my first Lou Reed show. I had seen Zorn's massive Masada the night before. They walked onto a stage, along with Laurie Anderson, that contained no drums or vocal mics and began making long notes, loudly. It was not organized in any way that I could appreciate. I like dissonance and spontaneity more than most, but it was the worst sounding and most insensitive musical performance I've ever heard on a professional level. A disgrace to an otherwise brilliantly-run and positive festival. Coming from the meticulously hospitable atmosphere of Montreal to the TD Downtown Jazz's Chaka Khan / Macy Grey show was like going from church to prison. Why can't the city put up bleachers on Dundas Square street south of the venue? Cars were threatening fans all night. Families were sitting on the dirty sidewalks. And when a woman had her purse stolen, the crowd was forced to deal with the thief. There was NO police presence in the square, in contrast to last weekend's armed encampment. I went to look for help and found only two security guards near the subway. Not even a cruiser parked nearby. Last night the real Toronto had to suffer for their fine music and leisure. Montreal proves every year that that is not necessary. I have lived in T.O. all my life, and I find this neglect shameful.

Sunday, June 27, 2010

Protest Playlist June 25 2010


Corby’s Orbit

2010/06/25

START

SONG TITLE/ITEM

ARTIST

11:011

Show intro and Station I.D.

Corby

11:02

The Unrest That Keeps Us True

Sons Of An Illustrious Father

11:07

Fearless / You’ll Never Walk Alone

Pink Floyd

11:13

Track Listing and Station I.D.

Corby

11:14

Don’t Take Everyone For Your Friend

Duke Robillard

11:20

Cash on the Barrelhead

Anders Drekup

11:23

Interview with Michael Bate for Grievous Angel

Corby

11:31

Drug Store Truck Drivin Man

Gram Parsons

11:35

When You Gonna Wake Up?

Lee Williams & The Spiritual Q.C.’s

11:39

Rant, Track Listing and Station I.D.

Corby

11:42

The Future

Leonard Cohen

11:46

Caboose

Jaron Freeman-Fox

11:49

Interview with Jaron Freeman-Fox

Corby

11:59

Waterfall (live performance)

Jaron Freeman-Fox

12:05


Never An Easy Way


Morcheeba


12:12

Interview with Jon Brooks and "War Resister" by Jon Brooks

Corby

12:30

God is in the House

Nick Cave

12:36

I Wish I Was Home

Michael Brennan

12:40

Interview w. Jon Brooks

Corby

12:44

Can You Blame The Poor Miner?

Maria Dunn

12:47

The Big Ones Get Away

Buffy Ste-Marie

12:50

Interview w. Jon Brooks

Corby

12:54

Wasteland of the Free

Iris Dement

12:59

Brave Parade

Lynn Miles

1:03

Interview with Jon Brooks.

Corby

1:10

Kigali

Jon Brooks

1:16

Track Listing and Station I.D.

Corby


1:18

No More

Roni Size

1:22

Coming Soon

Beautiful Nubia

1:26

Poor Man Story Long

The Emotions

1:29

Change The System

Ronnie Davis

1:32

Track Listing and chat with Greg Lawson

Corby

1:36

I’m Indebted To You

The Groovers

1:39

The Voice Of The People

Stranger Cole & Jimmy Riley

1:43

Fly Away with Local Listings

Vin Gordon & The Upsetters

1:47

Licky Licky

“ “ “ “

1:50

I Want Justice

Lee Perry

1:53

Give Love a Try

Prince Buster

1:56

Sign Off and Station I.D.

Corby

1:57

We The People

Ellen McIlwaine

Saturday, June 26, 2010

Songs of Protest, Hope and Conscience

I MC'd a show of enragees, provocateurs and politically charged singer/songwriters at Hugh's Room last night. Jon Brooks retooled Buffy Ste. Marie's Universal Soldier for the current conflicts of the world and achieved an enthusiastic audience response with an original song ( you can listen at the end of the post ) about the misuse of creative and activist energies that struck deeply at the audience's sense of purpose. He also guested on my show yesterday, bringing in discs by Nick Cave, Maria Dunn and Michael Brennan to illustrate his convictions about the artistry required to make an effective statement in song.
Lynn Miles added a few verses to Neil Young's Ohio to decry the corporate takeover of Toronto and the world. Jory Nash put a fresh muscle of commitment into the great Sam Cooke's A Change Is Gonna Come, and Crabtree & Mills revived the spit and spirit of the civil rights movement with a rare Len Chandler tune, To Be A Man. The John Henrys focussed on the resistance of the media to protest music, and the persistence of American churlishness through an interesting historical tune, Patriot Song. Anthems abounded, spirituals and marching songs resonated, and love of the word, effectively used, was shared. A political charge was conducted throughout the room and hopefully, beyond.